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Venue: Lincoln Center, New York City

Fact file
Address165 W. 65th Street
New York City
NY 10023
United States
ContainsLincoln Center, Rose Building: Daniel and Joanna S. Rose Studio
Alice Tully Hall
Clark Studio Theater
David H Koch Theater
Fordham University, 12th Floor Lounge
Josie Robertson Plaza
Metropolitan Opera House
New York State Theater
Stanley H Kaplan Penthouse
Walter Reade Theater
Wu Tsai Theater, David Geffen Hall
Lincoln Centre: Hearst Plaza
Google maps40° 46' 26.830" N 73° 59' 2.841" W
May 2026
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Evening performance
Matinee performance
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New York CityJanowski Conducts Mendelssohn’s Scottish

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Mozart, Haydn, Mendelssohn
New York Philharmonic; Marek Janowski; Christopher Martin

New York CityTurandot

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Puccini: Turandot
Oksana Lyniv; Franco Zeffirelli; Metropolitan Opera; Anna Anni; Gil Wechsler; The Metropolitan Opera Orchestra

New York CityCoppélia

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Delibes: Coppélia
George Balanchine; New York City Ballet; Rouben Ter-Arutunian; Barbara Karinska; Mark Stanley; New York City Ballet Orchestra

New York CityLa traviata

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Verdi: La traviata
Marco Armiliato; Michael Mayer; Metropolitan Opera; Michele Spotti; Christine Jones; Susan Hilferty; Kevin Adams

New York CityEl último sueño de Frida y Diego (The Last Dream of Frida and Diego)New production

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Frank: El último sueño de Frida y Diego (The Last Dream of Frida and Diego)
Yannick Nézet-Séguin; Deborah Colker; Metropolitan Opera; Steven Osgood; Jon Bausor; Adam Silverman

New York CityEclectic NYCB II

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Mozart, Various, Foss, Martinů
George Balanchine; Peter Martins; Gianna Reisen; Justin Peck; New York City Ballet; Barbara Karinska; David Hays; New York City Ballet Orchestra

New York CityElim Chan conducts Prokofiev

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Saint-Saëns, Koide, Prokofiev
New York Philharmonic; Elim Chan; Carter Brey

New York CityEclectic NYCB III

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Prokofiev, Frerer, Lalo
Jerome Robbins; Alysa Pires; Tiler Peck; New York City Ballet; Ben Benson; Ronald Bates; New York City Ballet Orchestra; Mark Stanley
Latest reviewsSee more...

Good vibrations: Robbins, Balanchine and Bach at New York City Ballet

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Concerto Barocco and The Goldberg Variations make an unbeatable, timeless pairing at New York City Ballet. 
*****
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Tiler Peck’s Symphonie Espagnole for NYCB is sprawling and ambitious

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A triple bill including Tiler Peck’s newest ballet for NYCB, does not entirely work. Too much blue light and sadness for one program.
***11
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Contemporary escapism at New York City Ballet

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A longtime NYCB fan favorite, Concerto DSCH  by Alexei Ratmansky, meets the New York premiere of Christopher Wheeldon's Continuum. But the evening belonged to corps dancer Ruby Lister in Edwaard Liang’s Distant Cries.
****1
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Mira Nadon’s sparkling debut in Firebird with New York City Ballet

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A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.
*****
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Barbara Hannigan makes a powerful connection in La Voix humaine

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The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen
****1
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Asmik Grigorian strengthens the Met’s revival of Eugene Onegin

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The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.

****1
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Innocence: Saariaho’s final opera receives New York premiere

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At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace. 
*****
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A vocally perplexing economics assignment from David Lang

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The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise. 
***11
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