Sala: Teatro di San Carlo, Naples

Faithful to the libretto’s dramaturgy, the staging unfolds in scenographic environments of strong impact -

What makes Stéphane Braunschweig's production exceptional is its ability to reveal the opera's beating heart without resorting to didacticism. 

Huge de Ana's staging is carefully crafted but feels dramaturgically outdated as the Teatro di San Carlo heads into the twilight of sovrintendente Stéphane Lissner’s final season. 

Manfred Schweigkofler's production places the drama in a surreal, timeless atmosphere at the Teatro San Carlo. 

This first-time Neapolitan performance of Gounod's masterpiece is destined to leave a lasting impression in the audience's memory.

Dmitri Tcherniakov’s staging of Rusalka in Naples has a starkly modern visual style which occasionally dilutes the story’s emotional impact.

Latvian soprano Marina Rebeka sings Violetta in Lorenzo Amato's traditional – but damp – staging. 

This production focuses on the psychological and human aspects of the central characters, rather than on their political conflict, with Elizabeth playing a pivotal role.