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NaplesBartók / Kodaly / Cage
Bartók, Kodály, Cage
Barbara Bavecchi; Franco Cardaropoli; Sabrina Vitolo; Nello Mallardo
NaplesAdriana Lecouvreur
Cilea: Adriana Lecouvreur
Pinchas Steinberg; Davide Livermore; Teatro di San Carlo; Giò Forma; Gianluca Falaschi; Nicolas Bovey; Orchestra del Teatro di San Carlo
NaplesSondra Radvanovsky / Freddie De Tommaso
Verdi, Puccini, Mascagni, Giordano
Orchestra del Teatro di San Carlo; Giacomo Sagripanti; Sondra Radvanovsky; Freddie De Tommaso
NaplesTurandot
Puccini: Turandot
Vincenzo Milletarì; Vasily Barkhatov; Teatro di San Carlo; Zinovy Margolin; Galya Solodovnikova; Alexander Sivaev; Orchestra del Teatro di San Carlo
NaplesJonas Kaufmann / Ludovic Tézier
Verdi, Ponchielli
Orchestra del Teatro di San Carlo; Jochen Rieder; Jonas Kaufmann; Ludovic Tézier
NaplesTango!
Piazzolla, Glière, Debussy, Fauré, Ravel
Salvatore Lombardo; Matilde Agosti; Marco Pezzenati; Elèna Vallebona
NaplesCoppéliaNew production
Delibes: Coppélia
Charles Jude; Corpo di Ballo del Teatro di San Carlo; Philippe Béran; Giulio Achilli; Philippe Binot; François Saint-Cyr
NaplesAidaConcert performance
Verdi: Aida
Riccardo Frizza; Teatro di San Carlo; Orchestra del Teatro di San Carlo; Coro del Teatro di San Carlo; Anna Netrebko; Jonas Kaufmann
Latest reviewsSee more...
Werther revived at San Carlo: an anatomy of emotional isolation
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Willy Decker’s psychologically intense Werther returns to the Teatro di San Carlo with a deeply human interpretation by Francesco Demuro and refined conducting by Lorenzo Passerini.
Rosa Feola’s Lucia rescues a San Carlo production showing its age
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Gianni Amelio's 2021 production of Lucia di Lammermoor at the Teatro di San Carlo serves the music, but it no longer commands the same sense of discovery.
Laurent Pelly’s Falstaff passes the Naples test with flying colours
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The French director’s much-travelled production arrives at the Teatro di San Carlo, displaying a precise balance between word, gesture and voice.
Ludovic Tézier delivers a noble Nabucco in Naples
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Andreas Homoki’s staging at the Teatro di San Carlo, setting aside a few inconsistencies with the libretto, does not indulge in redundant symbolism.
Ennio Morricone’s only opera, Partenope, finally premiered in Naples
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Vanessa Beecroft’s production of Ennio Morricone’s demanding sole opera relies on strong visual images.
San Carlo’s Medea a clash of worlds in a neoclassical framework
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A new Medea at the Teatro di San Carlo presents three distinct visions – neoclassical in the pit, expressionistic on stage and conceptual in the direction – that never fully merge.
Vocal triumph in Un ballo in maschera at the Teatro di San Carlo
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Faithful to the libretto’s dramaturgy, the staging unfolds in scenographic environments of strong impact -
Il matrimonio segreto: elegance and modernity resonate in Naples
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What makes Stéphane Braunschweig's production exceptional is its ability to reveal the opera's beating heart without resorting to didacticism.