Veranstaltungstippsmehr...
NaplesCoppéliaNeuinszenierung
Delibes: Coppélia
Charles Jude; Corpo di Ballo del Teatro di San Carlo; Philippe Béran; Giulio Achilli; Philippe Binot; François Saint-Cyr
NaplesAidaKonzertante Aufführung
Verdi: Aida
Riccardo Frizza; Teatro di San Carlo; Orchestra del Teatro di San Carlo; Coro del Teatro di San Carlo; Anna Netrebko; Jonas Kaufmann
NaplesDan Ettinger
Bruckner: Symphonie Nr. 7 in E-Dur, WAB107
Orchestra del Teatro di San Carlo; Dan Ettinger
NaplesMitridate, re di Ponto, K87 (K74a)Neuinszenierung
Mozart: Mitridate, re di Ponto, K87 (K74a)
Riccardo Frizza; Claus Guth; Teatro di San Carlo; Christian Schmidt; Ursula Kudrna; Olaf Winter; Orchestra del Teatro di San Carlo
NaplesRiccardo Frizza / Leōnidas Kavakos
Glinka, Tschaikowsky, Schostakowitsch
Orchestra del Teatro di San Carlo; Riccardo Frizza; Leonidas Kavakos
NaplesAnita Rachvelishvili
Tschaikowsky, Rachmaninow, Taktakishvili, Tosti, Falla, Verdi, Saint-Saëns, Bizet, Cilea
Anita Rachvelishvili; Vincenzo Scalera
NaplesAlcinaKonzertante Aufführung
Händel: Alcina
Iván López Reynoso; Teatro di San Carlo; Orchestra del Teatro di San Carlo; Lisette Oropesa; Franco Fagioli; Erin Morley
Neue Kritikenmehr...
Werther revived at San Carlo: an anatomy of emotional isolation
Willy Decker’s psychologically intense Werther returns to the Teatro di San Carlo with a deeply human interpretation by Francesco Demuro and refined conducting by Lorenzo Passerini.
Rosa Feola’s Lucia rescues a San Carlo production showing its age
Gianni Amelio's 2021 production of Lucia di Lammermoor at the Teatro di San Carlo serves the music, but it no longer commands the same sense of discovery.
Laurent Pelly’s Falstaff passes the Naples test with flying colours
The French director’s much-travelled production arrives at the Teatro di San Carlo, displaying a precise balance between word, gesture and voice.
Ludovic Tézier delivers a noble Nabucco in Naples
Andreas Homoki’s staging at the Teatro di San Carlo, setting aside a few inconsistencies with the libretto, does not indulge in redundant symbolism.
Ennio Morricone’s only opera, Partenope, finally premiered in Naples
Vanessa Beecroft’s production of Ennio Morricone’s demanding sole opera relies on strong visual images.
San Carlo’s Medea a clash of worlds in a neoclassical framework
A new Medea at the Teatro di San Carlo presents three distinct visions – neoclassical in the pit, expressionistic on stage and conceptual in the direction – that never fully merge.
Vocal triumph in Un ballo in maschera at the Teatro di San Carlo
Faithful to the libretto’s dramaturgy, the staging unfolds in scenographic environments of strong impact -
Il matrimonio segreto: elegance and modernity resonate in Naples
What makes Stéphane Braunschweig's production exceptional is its ability to reveal the opera's beating heart without resorting to didacticism.