Veranstaltungstippsmehr...
NaplesGustavo Dudamel / Marina AbramovićNeuinszenierung
Strawinsky, Falla
Orchestra del Teatro di San Carlo; Gustavo Dudamel; Marina Abramović
NaplesDonizetti / Verdi / Puccini
Donizetti, Verdi, Puccini
Pasquale Murino; Olga Kuzma; Luca Improta; Aurelio Bertucci
NaplesSoirée Balanchine
Tschaikowsky, Prokofjew, Bizet
George Balanchine; Corpo di Ballo del Teatro di San Carlo; Paul Connelly; Orchestra del Teatro di San Carlo
NaplesMozart / Brahms
Mozart, Brahms
Stefano Bartoli; Gabriele Pieranunzi; Loana Stratulat; Francesco Mariani
NaplesWerther
Massenet: Werther
Lorenzo Passerini; Willy Decker; Teatro di San Carlo; Wolfgang Gussmann; Joachim Klein; Orchestra del Teatro di San Carlo
NaplesRiccardo Frizza / Anna Tifu
Dohnányi, Mendelssohn Bartholdy, Strauss R.
Orchestra del Teatro di San Carlo; Riccardo Frizza; Anna Tifu
NaplesMichele Mariotti
Beethoven, Mendelssohn Bartholdy
Orchestra del Teatro di San Carlo; Michele Mariotti
NaplesBartók / Kodaly / Cage
Bartók, Kodály, Cage
Barbara Bavecchi; Franco Cardaropoli; Sabrina Vitolo; Nello Mallardo
Neue Kritikenmehr...
Rosa Feola’s Lucia rescues a San Carlo production showing its age
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Gianni Amelio's 2021 production of Lucia di Lammermoor at the Teatro di San Carlo serves the music, but it no longer commands the same sense of discovery.
Laurent Pelly’s Falstaff passes the Naples test with flying colours
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The French director’s much-travelled production arrives at the Teatro di San Carlo, displaying a precise balance between word, gesture and voice.
Ludovic Tézier delivers a noble Nabucco in Naples
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Andreas Homoki’s staging at the Teatro di San Carlo, setting aside a few inconsistencies with the libretto, does not indulge in redundant symbolism.
Ennio Morricone’s only opera, Partenope, finally premiered in Naples
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Vanessa Beecroft’s production of Ennio Morricone’s demanding sole opera relies on strong visual images.
San Carlo’s Medea a clash of worlds in a neoclassical framework
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A new Medea at the Teatro di San Carlo presents three distinct visions – neoclassical in the pit, expressionistic on stage and conceptual in the direction – that never fully merge.
Vocal triumph in Un ballo in maschera at the Teatro di San Carlo
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Faithful to the libretto’s dramaturgy, the staging unfolds in scenographic environments of strong impact -
Il matrimonio segreto: elegance and modernity resonate in Naples
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What makes Stéphane Braunschweig's production exceptional is its ability to reveal the opera's beating heart without resorting to didacticism.
La fanciulla del West revival fails to reignite the spark in Naples
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Huge de Ana's staging is carefully crafted but feels dramaturgically outdated as the Teatro di San Carlo heads into the twilight of sovrintendente Stéphane Lissner’s final season.