Ten works revealing the paradox of Chopin: a composer outwardly delicate, inwardly steely; rooted in Polish dance rhythms, yet formed in Parisian sophistication.
Setting texts by Nobel prize winning author Han Kang, this new work by British composer Laura Bowler for soprano and large orchestra is an emotionally charged exploration of mourning and longing.
Vanessa Latarche, professor of Piano at the Royal College of Music and chair of Hastings’ jury, talks about what makes the competition special, working with Sir Stephen Hough, and being a stickler for fairness.
With significant works by Louise Farrenc, Augusta Holmès and Clémence de Grandval – including two grand operas – Palazzetto Bru Zane is pioneering rediscovery of French music of the 19th century.
The longest-running outdoor festival in the US and summer home of the Chicago Symphony Orchestra will undergo extensive redevelopment over the next four years.
Samantha Egeis a music historian, concert pianist, and research fellow at the University of Southampton. She is the author of the forthcoming South Side Impresarios: How Race Women Transformed Chicago's Classical Music Scene. She
has recorded several albums, featuring music by Florence Price,
Margaret Bonds, and Samuel Coleridge-Taylor. Her next album features
piano concertos by Doreen Carwithen and Julia Perry.
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