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With an eclectic programming ethos, and some of the finest acoustics in the Netherlands, the Muziekgebouw aan ’t IJ is about as adaptable as it’s possible for a modern concert hall to be.

The question of animal performers is a thorny one: should they be on stage at all? We explore their use in multiple productions, including Heiner Goebbels’ De Materie, which included a hundred sheep.

How co-founder Rob Overman and Symphony.live are trying to create the Netflix of orchestral performance.