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George Li's belief in storytelling shows in his Caramoor programme of Schumann, Ravel and Mussorgsky. 

Modest as ever, Daniil Trifonov offers another masterclass in how virtuosity is sublimated into poetry. 

For Richard Goode, returning to Beethoven’s last piano sonatas is not an extraordinary event, but rather a form of periodic devotion.

A selection from L'estro armonico performed in the Music Room in the Rosen House at Caramoor.

The premiere of Saad Haddad's Second String Quartet survives the downpour, the centrepiece of the Callistos’ recital in Caramoor’s Venetian Theater.

In Goode’s performance, Beethoven’s sonata appeared equidistant from the music of Bach and Schumann that preceded and followed it in the programme. 

Under Will Crutchfield’s direction the festival has focused on the rediscovery of forgotten 19th-century Italian works and celebrates the legacy of the bel canto era. 

A group of excellent singers and the Orchestra of St Luke's led by Will Crutchfield succeeded in presenting a moving concert performance of Poulenc's gut-wrenching opera.