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Thomas Adès conducts a new version of his own The Origin of the Harp, but music by Woolrich and Weir falls to grip. 

The Scottish Ensemble is joined by I Fagiolini in a Winter Chorale linking ancient and modern music for Advent and Christmas. 

An evening of English repertoire at King's Place where the pleasures were flecked with disappointments. 

Traditionally at the Proms, Beethoven’s Ninth Symphony is reserved for the penultimate prom slot in September, but this year, they have made an exception and given it to the CBSO and Andris Nelsons.

John Woolrich is a publically undervalued contributor to British musical life. This evening’s concert attempted to celebrate as many of the man’s musical guises as possible.

The Schubert Ensemble's good-in-parts performance of Schumann, Schubert and John Woolwich.

When a programme is well put together and nicely themed, it is quite easy to turn one’s attention away from the sound of music, and onto the history of music. PCM 4 at Cadogan Hall was breezily introduced by the BBC compere as a programme marking Britten’s centenary, exploring his relationship with his peers, and celebrating his friend Lutoslawski. Yes, it did all that.

Keeping up their tradition of mixing contemporary repertoire and new commissions with early music, Fretwork presented an eclectic mix of Purcell Fantasias and a variety of modern works written or arranged for viol consort and soprano in tonight’s concert, part of the RCM’s annual viol festival.

During the first half of this London Sinfonietta concert, I scribbled the phrase 'Lightly anarchic streak' in my notes, referring to the formal daring and the conspicuous rock music influence evident in various pieces.