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A star-making turn from Emily D'Angelo can't rescue Jeanine Tesori's uninspiring new opera with which the Met opens its new season. 

Blue could hardly have been better rendered than here. Indeed, I wish every opera I see could be staged with such grace and finesse. 

Das außergewöhnlich gute Sängerensemble trägt diese aussagekräftige Opernvorstellung bei ihrer europäischen Premiere.