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Musgrave's powerful depiction of a powerful woman at the mercy of male manipulation receives a strong staging from at ENO. 

Music by (and inspired by) Sibelius sounds great in this Scottish performance, but Dvořák’s Cello Concerto fails to cohere.

Benjamin Grosvenor's account of Ravel's Piano Concerto was outstanding in a Hallé concert with powerful Vaughan Williams and Sibelius, plus a novelty by Thea Musgrave.

Effortless Vaughan Williams from Maria Włoszczowska, with atmospheric Musgrave and a blooming Schumann First Symphony. 

Imaginative programming from Aurora Orchestra, including striking miniatures from Musgrave and Meredith, luxurious Ravel and pared back Vaughan Williams, with joyous Mendelssohn to finish.

The tone was set for a shrewdly programmed hour of contrasts.

The unlikely pairing of jazz and Baroque makes complete sense under the baton of Sam Poppleton. 

Thea Musgrave’s pictorial writing sits well next to an exhilarating Vaughan Williams Sea Symphony. 

The ubiquitous cycle of life and death was explored in two contrasting works by Musgrave and Brahms in Richard Farnes’ debut with the BBC Symphony Orchestra and Chorus.

The English String Orchestra present works inspired by nature, colour and life by four contemporary composers.

Thea Musgrave given deserved attention by Guildhall musicians, BBC Singers and BBC Symphony orchestra in Total Immersion at the Barbican.