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What compelled the composer to use this particular ensemble? Why does this musical texture work best for this moment? Is there a better one? Should I be able to hear more of what’s going on right now? Is that sound really coming from that instrument? These and other questions, uncommon or irrelevant in the context of a Beethoven symphony or a Haydn string quartet, were front and center Tuesd

Music We’d Like to Hear, an annual series of concerts curated by the composers Markus Trunk, John Lely and Tim Parkinson, has reached its ninth year of sharing an eclectic, often esoteric selection of experimental music with its small but loyal following.