For the last concert of her Perspectives series at Carnegie Hall, Renée Fleming assembled one of the least coherent concept programmes imaginable. Billed as “Vienna: Window to Modernity”, it was never clear what was specifically Viennese about the music on show, nor what was particularly modern, nor what windows had to do with anything.
2013Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2013-11-07UTC16:43:57+00:002013-05-07David Allen reviews Renée Fleming at Carnegie Hall with Jeremy Denk and the Emerson String Quartet."I'm in love with Vienna": Renée Fleming and friends at Carnegie Hallen_GBtruehttps://bachtrack.com/review-carnegie-hall-renee-fleming-emerson-quartet-denk-viennaBachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngDavid Allenhttps://bachtrack.com/files/2595-renee_fleming.jpg400400Renée FlemingDecca/Andrew Eccles2013-May-04, Carnegie Hall: Stern Auditorium: Vienna: Window to Modernityhttps://bachtrack.com/listing-carnegie-hall-renee-fleming-emerson-quartet-denk-vienna2013-05-042013-05-04Carnegie Hall: Stern Auditorium/Perelman StageNew York CityNew YorkUnited States40.765266-73.97987699999999http://www.carnegiehall.org/Calendar/2013/5/4/0730/PM/Vienna-Window-to-Modernity/?utm_medium=display&utm_source=bachtrack.comhttps://bachtrack.com/files/57049-logo-square-240.jpg3