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With a guest performance of the Komische Oper Berlin, Barrie Kosky's and Suzanne Andrade's magical production triumphs in Budapest.

Opera director András Almási-Toth’s whimsical updating of an early Baroque opera by Antonio Cesti switches the composer’s L'Orontea from 1656 to 2016.

A neglected work in Hungary, Idomeneo receives an intense performance under the baton of György Vashegyi.

Julian Rachlin steps in at the last moment and scores a win on a winning score.

In San Carlo's Luisa Miller, top notch performances from Luciano Ganci and Elena Moşuc lead a concert performance which show what a great and underperformed work this is.

Gyula Fekete's concerto based on themes from Chinese TV headlines a mixed programme at a concert which didn't succeed in everything but was generously filled with melody throughout.

A velvet-smooth bass-baritone voice, matinee idol looks and magnetic stage presence have made Erwin Schrott into one of opera’s big international stars. Last night, however, festivalgoers at Budapest’s Comedy Theatre saw him excel in a very different musical form: the Argentinian tango music whose leading composer was Astor Piazzolla.