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Aribert Reimann's Lear takes no prisoners in a disturbing portrayal of a world gone awry, but Barbora Horáková's scattergun direction adds to the confusion. 

The challenges of Cherubini’s version of the Greek tragedy prove too much for the National Theatre to overcome.

SKUTR's daring direction and Václav Luks's early music expertise combine to bring new vitality to a Baroque classic. 

Nigel Lowery’s new production at Prague State Opera is a gusher of ideas, starting as slapstick but profoundly moving by the end.

The Prague National Theatre serves up a bright finish to its insightful, troubling tour of interwar music. 

Adding a prequel to Gianni Schicchi mostly proves that a prequel isn't necessary... 

Barbora Horáková's imaginative updating of The Marriage of Figaro sags under its own weight at the Estates Theatre, Prague.

The National Theater revives Jaromír Weinberger opera Schwanda the Bagpiper with energy, affection and overly active imagination.