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At the Coliseum, Lyndsey Turner’s unpretentious production of Gluck’s Iphigénie en Tauride succeeds on most levels. 

A traditional Marriage of Figaro entertains with a strong cast, eye-catching design and lighting, and Amanda Holden’s earthy libretto.

Benjamin Britten’s dark masterpiece Peter Grimes returns triumphantly to Opera North, conducted by Gary Walker and revived by Karolina Sofulak and Tim Claydon.

David Pountney's vernacular translation and Ruth Knight's vivid staging lent a thrilling immediacy to Shostakovich's chilling opera.

ENO's revival features a striking performance from Mary Bevan as bride-to-be Susanna, but elements of the staging continue to raise eyebrows. 

Conor Hanratty's humorous production is a triumph from beginning to end, a must see at this year's Wexford Festival. 

Erlanger's fractured and clichéd opera isn't helped by confused direction, although soprano Andreea Soare is nothing short of magnificent as the heroine. 

English National Opera opens its new season with a revival of David Alden's masterly production. 

In a 70th anniversary season dedicated to adaptations of Shakespeare, this concert performance made a compelling case for Karl Goldmark's final opera.