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Huge de Ana's staging is carefully crafted but feels dramaturgically outdated as the Teatro di San Carlo heads into the twilight of sovrintendente Stéphane Lissner’s final season. 

Superlative singing, hilarious antics and an energetic production make Donizetti's Le Convenience ed inconvenience an exhilarating success. 

The ROF presents a new, cheeky production of Adelaide, by Arnaud Bernard, based on a unoriginal but very well executed “meta-theatrical” take, with an exemplary cast.

La obra de Francesca Caccini sube al escenario en los Teatros del Canal con un reparto solvente y una ejecución musical brillante que contrastó con una escena que no terminó de funcionar.