A top-notch adaptation of a very scary folktale into a dynamic new opera, and an interesting meditation on cultural crisis in modern Iran, makes for a superb night at Tête à Tête.
Had you been travelling, in the mid 18th century, around the crowned courts of middle Europe, there would have been little debate as to who was the most celebrated opera composer and ensemble: Johann Adolph Hasse and his company at the Saxon court of Dresden.
