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Birgit Kajtna-Wönig’s new semi-staging of Wagner's Bühnenweihfestspiel pays homage to Ádám Fischer's committed musical forces.

Attila Mókus's dramatic baritone was scornful at one moment, tender, distressed, vengeful, or broken in mourning at others, vocal signposts in Rigoletto’s descent into the hell of his own making.