Virtuostic and expressive playing from all performers in a challenging and enjoyable programme of Handel arias and sonatas, plus music from two contemporaries.
Bach’s final work The Art of Fugue, left incomplete at his death in 1750, has long been famous for (among other things) not having specified its instrumentation. It’s written in open score – each line of music, or “voice”, is given a distinct printed line, making it hard to guess what instrument Bach actually had in mind to play it.
