A handful of times in operatic history, a composer has thrown away the rule book and produced a work which defies categorisation because it simply isn't like anything else in the repertoire. Kurt Weill's Die Dreigroschenoper is one such work: musically and dramatically, neither Weill himself or anyone else has ever written anything remotely similar.
Royal Academy of Music Chamber Ensemble
Trevor Pinnock conductor
Runette Botha sopranoHaydn (arr. Salomon) Symphony Quintetto (after Symphony No. 101 The Clock) for flute, string quartet and piano (ed. Christopher Hogwood)Mahler (arr. Stein) Symphony No. 4 in GThis was quite simply a delightful concert. The juxtaposition of these two pared-down symphonies was a brilliant idea superbly executed.
