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A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

Artistic Director, Susan Jaffe, reviving the Kingdom of the Shades for ABT’s Fall Season was both a testament to her trust in her company, and also a test.

Wheeldon lacks the imagination to take this story beyond that of a well-crafted adaptation of a beloved movie.

Which choreographer's adaptation of A Midsummer’s Night Dream is superior, Ashton or Balanchine? This season, New Yorkers get to compare as ABT revives Ashton's The Dream as part of its Fall season. 

As the wonderful Tharp trio program proves, all these years later Twyla Tharp can still make ballet look cool.

The Seasons is overstuffed, uneven and way too busy. There are so many steps, but they rarely made me "see the music". It was a frustrating ballet, with so many lovely moments that were less than the sum of its parts.

As a whole, this American Ballet Theatre program was good but the presence of Hee Seo and David Hallberg in Jerome Robbins' Other Dances made it indelible.

American Ballet Theatre's Whipped Cream should be seen for Ryden's sets and costumes alone. A free-floating eye and a sweetshop whose ingredients come to life create a very surreal world.

Heated Passions abound in ABT's Romeo and Juliet. 

Isabella Boylston made an impressive debut in MacMillan's treasured classic amid some fine performances from the supporting cast.

With INTENSIO, a program of new dances he commissioned, Simkin is clearly making a major move.

Marcel Gomes gave us a Death to remember in Jooss' Green Table.

After 50 years, MacMillan’s Romeo and Juliet remains the standard by which all others are judged.

ABT has always been a place where stars shine brightest and this night had a whole constellation of them.