Since moving to London in September, I’ve remained highly impressed and encouraged by the capital’s concert attendance levels. I’ve grown up with constant Doomsday prophesies of the imminent demise of Classical music – I think everyone has, actually.
Royal Academy of Music Chamber Ensemble
Trevor Pinnock conductor
Runette Botha sopranoHaydn (arr. Salomon) Symphony Quintetto (after Symphony No. 101 The Clock) for flute, string quartet and piano (ed. Christopher Hogwood)Mahler (arr. Stein) Symphony No. 4 in GThis was quite simply a delightful concert. The juxtaposition of these two pared-down symphonies was a brilliant idea superbly executed.
