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Kristian Bezuidenhout joins the ACO for a piecemeal programme leading to a complete performance of Beethoven's Emperor Concerto. 

Pared-down forces of the ACO performed pared down masterpieces, in a brilliantly conceived programme which included works by Wagner, Strauss and Mozart.

Interleaving Bach violin concertos with Haydn symphonies, the ACO give an energetic performance in the Sydney Opera House, with highlight solos from Richard Tognetti and Helena Rathbone.

Richard Tognetti brings Baroque masterworks to Melbourne along with the world premiere of Kats-Chernin's new work for strings, Singing Trees.

Impressive rapport among members of the Australian Chamber Orchestra in Mozart and Beethoven.

The Australian Chamber Orchestra struggle with John Adams before finding their form in the music of Grieg, Maria Schneider (with Dawn Upshaw as soloist) and Elgar.

Pairing music from the 18th and 20th centuries is a common programming strategy, one which can bring out interesting parallels between the musical preoccupations of two very different eras. Some 20th-century composers looked to the more distant past as a way of engaging with traditions before the emotionally coercive 19th century.

Saturday evening’s concert saw the coming together of two world-class ensembles from opposite ends of the world: Australia’s national orchestra, the Australian Chamber Orchestra, and the world-renowned British vocal group the Hilliard Ensemble.