A thoughtful production from Martin Lloyd-Evans and magnificent playing from Matthew Kofi Walden and the City of London Sinfonia make the case for why Puccini's under-appreciated work is actually so sophisticated.
Last night at North London’s Gatehouse theatre saw the Merry Opera Company perform La Belle Hélène, Offenbach’s Trojan War parody of Grand Opera, translated/re-worked by Kit Hesketh-Harvey and enticingly re-labelled Troy Boy. Hesketh-Harvey is best known as half of the cabaret duo Kit and the Widow, but has also been a regular translator of opera for the ENO and others.