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A performance of John Adams' The Gospel According to the Other Mary good enough to convert even the most conservative listener to the Church of New Music.

There is more common than meets the eye to the three works on the programme by the St Louis Symphony Orchestra in the Powell Hall on Saturday night. The rhythmic diversity in each challenges the unity of the orchestra to the extreme.

On 3 September 1912, in a Proms concert which also featured a comedy overture by Granville Bantock and excerpts from Délibes’ ballet Coppélia, Henry Wood and his Queen’s Hall Orchestra gave the world première of Arnold Schoenberg’s Five Orchestral Pieces, a landmark work in atonal expressionism which drew hisses from the hall audience.

If only every orchestral concert were as thoughtfully programmed as the Saint Louis Symphony’s last Saturday. David Robertson led his orchestra in Debussy’s Printemps, an ingratiating early work; the Carnegie Hall premiere of Quatre Instants by Kaija Saariaho with the irrepressible soprano Karita Mattila; and the full-length version of Stravinsky’s Firebird.