Live, Video: Find classical music concert, opera, ballet and dance reviews | Elaine Tate

Alice's story in a sparkling outdoor production for families, which will not disappoint mainstream opera enthusiasts.

There is usually a good reason why operas which lie unperformed for many years do so – some flaw in the plotting, characters who fail to interest an audience, or musical langueurs. It was therefore with somewhat low expectations that I went to Hampstead Garden Opera’s production of Vaughan Williams’ Hugh the Drover. Imagine my surprise and delight.

We are in a small Cotswold market town in 1810. It's the height of the Napoleonic wars, fear of Bonapartist spies abounds. A stranger rolls into town - a roving man whose profession is rounding up wild horses for the military - and wins the hand of the daughter of the town Constable in a bare knuckle prize fight. Somehow, you just know that there's going to be trouble.

When the king of the gods falls head over heels in love with you, seriously bad stuff happens. If you're a Handelian soprano like Semele, however, it happens very tunefully and in a thoroughly pleasant, elegant and cheerful manner for the whole evening.If you're confused as to the difference between opera and oratorio, Semele is the perfect aid to your confusion.

No wonder the 1744 audience was shocked by this “oratorio” which, far from drawing on Biblical themes, displays before us the sexual misdemeanor of the immortal Jove, with a mortal, Semele.