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Richard Eyre's uncomplicated production remains as watchable as ever; Joyce El-Khoury makes a promising Covent Garden debut.

A blistering performance of Suor Angelica is the highlight of this strongly performed revival of Richard Jones' 2011 production.

Opera North's captivating production of Janáček’s Jenůfa directed by Tom Cairns at the Grand Theatre Leeds

Tragedy giving way to comedy – a recipe which still works, as demonstrated in Opera North's fine double bill of Gianni Schicchi and La vida breve.

Verdi's Rigoletto is a work of contrasts. The Duke is equally at home in a glittering palace or a tawdry brothel (a historically accurate characterisation of King Francis I of France, on whom his character is based); his romantic ballads are juxtaposed with the musical depiction of violent storms. Pretty courtly dances share the stage with powerful orchestral evocations of impending doom.

When you discover your bride-to-be in another man's bed on the eve of your wedding day, the excuse "Darling, I must have been sleepwalking" rates somewhere near the same level of credibility as "Sir, the dog ate my homework." But hey, this is opera, and bel canto opera at that. You didn't come to Bellini's La Sonnambula for the story and the drama: you came here for the singing.

The Lion's Face: The name comes from the clinicial description of the Alzheimer face with features settling into “leonine impassivity.” Librettist Glyn Maxwell spent five years researching this opera about dementia and this shines through in his portrayal of the life of an Alzheimer's patient in a nursing home.