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As I had both hoped and expected, Widmann's Babylon Suite had an undercurrent of knowing wickedness and a sense of self-awareness that one would find in a Stravinsky ballet score.

Royal Academy Opera's thoroughly competent Suor Angelica precedes a fabulously entertaining Gianni Schicchi, with a top drawer performance from Haobin Wang in the title role.

Drawing a line of suffering from ancient Rome to Golgotha to the concentration camps, Britten’s blank postcard from Belsen strikes to the heart of humanity. The Rape of Lucretia is brilliantly realised by the Royal Academy of Music.

Over the years, I’ve generally found performances at Royal Academy Opera to be enjoyable and straightforward. This production of Cendrillon went rather beyond that.