With the eternally young Gilbert Kalish leading the way, the festival's all-star roster delighted an enthusiastic and knowledgeable Center for the Performing Arts audience.
Much like Mahler’s Ninth Symphony, Zemlinsky’s string quartets signifies the death of the Romantic world while laying the groundwork for the 20th century, but in contrast to Mahler’s cry of distress, Zemlinsky indulged in the new and eagerly descended into the future.
