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An eclectic evening of vividly communicative music-making in Gloucester Cathedral, superbly directed by Adrian Partington. 

Adrian Partington and the Philharmonia give an impersonal, soporific rendition of Elgar's The Apostles at Gloucester Cathedral. 

Elizabeth Watts gives an unforgettably powerful performance of Finzi’s Dies Natalis in an otherwise problematic concert, marred by Adrian Partington’s uncertain approach.

Cecil Armstrong Gibbs’ largely forgotten Symphony no. 2, "Odysseus" proves exhausting, while works by Ireland and Howells tap into rich veins of mythical wistfulness and excruciating pain.

Hereford Cathedral experiences a mix of sacred and secular explorations of melancholy and triumph, from Stravinsky, Walton, Ravel and Lili Boulanger.

A curious combination of Mozart’s “Great” Mass and Shostakovich’s Twelfth Symphony fill Worcester Cathedral with exuberance.

Adrian Partington directs a well-managed but ultimately disjointed performance of Mahler’s most idealistically challenging symphony.

Gloucestershire is rich in musical heritage; well-known composers connected with the county include Parry, Vaughan Williams and Howells, but one name that is less familiar these days is that of Howells’ friend Ivor Gurney.

On Wednesday evening the BBC National Orchestra and Chorus of Wales, conducted by Adrian Partington, presented a programme of choral music by the two musical friends Poulenc and Britten.

Many people have triggers to make them feel seasonal, and this evening’s concert was no doubt a source for many audience members. Festive cheer spread around Bristol’s Colston Hall for an evening of joyous music celebrating the Christmas story with Handel’s Messiah.

Certain images of Edward Elgar appear to be too heavily ingrained in our national consciousness ever to be shaken off. He has now been entombed as an establishment figure, a privilege for which he has the Last Night of the Proms to thank.