Whenever a relative opera novice or occasional toe-dipper tells me how he or she cried at the end of La bohème, I want to send them to La fanciulla del West. Of course I choke up at the end of Bohème – who doesn't? – but for a good bawling session, the fabulously maudlin finale of Fanciulla is the place to be. The plot doesn't bode well.
120 years after the Metropolitan Opera in New York paired Mascagni’s Cavalleria Rusticana and Leoncavallo’s Pagliacci in a single performance, the tradition of staging these representative works of verismo opera in a double bill continued this weekend with a production under the direction of Lo Kingman, Hong Kong’s home-grown doyen of opera.
