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Movable walls, some adorned with Baroque frescoes, partition the stage in ways that remind the viewer of the easy proximity of the masters and servants' quarters in Almaviva's estate.

A night in the cheerful undemanding: lovers of Strauss, Venice and period costumed slapstick will get their money’s worth. Oh how lovely to behold are not only the charming women in this operetta, but also Hinrich Horstkotte's costumes.

Das Experiment „Wiener Rosenkavalier II“ ist dank Josef Ernst Köpplingers Erfolgsinszenierung definitiv geglückt.

Josef Ernst Köpplingers überschäumend-witzige Inszenierung von Rossinis größtem Hit ist zurück und macht nicht nur optisch Freude.