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Veronika Dzhioeva presents a menacing Turandot in Opera Hong Kong's latest production which attempts to merge historical accuracy with the complexities of Orientalism. 

This production brought the work into the 21st century, at least visually, with a more modernised and digitally-stylised telling than their recent attempts.

Jacques Offenbach’s Tales of Hoffmann is a fine example of how the ridiculous can indeed be sublime. Three E.T.A. Hoffmann stories about otherworldly love affairs with defective femmes fatales, one of whom turns out to be a mechanical doll, connected only by the author’s gullible alter-ego as protagonist, scale the heights of the phantasmagorical.