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A terrific cast, led by soprano Celine Byrne and conducted by Patrik Ringborg deliver a compelling and thrilling performance of Korngold's Die tote Stadt.

English Touring Opera's triple bill of early Baroque miniatures promised an intruiging evening but failed up to expectations. 

Immersive, direct and passionate Bach from English Touring Opera and the Old Street Band.

Ovid’s Metamorphosis (on which the episode of Acis and Galatea is based) set in an Irish pub? Cowboys in place of shepherds and a bartender instead of a nymph?

Clever staging and a high standard of acting does much to happily while away the three hours of this baroque opera in the second of ETO's Baroque extravaganza.

An even cast and a simple production makes Longborough Festival Opera's latest foray into aristocratic misdeeds a success.

English Touring Opera gives Gluck's reformist masterpiece a suitably blood-spattered outing in a production which keeps the opera in touch with its classical roots. 

Donizetti's back catalogue proves just as rich as his well-loved works, with this blisteringly good foray into an extraordinary opera whose UK premiere is 179 undeserved years late. 

La Calisto is a delicious mash-up of two classical legends: Jupiter’s seduction of Diana’s acolyte Calisto and Diana’s own romance with the shepherd Endymion. The plot is helter-skelter, Anne Ridler’s translation of Giovanni Faustini’s libretto is sassy and fun. I can’t imagine being more entertained by an evening’s chamber opera.