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In their Lammermuir Festival debut, I Fagiolini strike spiritual and musical gold with the Monteverdi Vespers... at least in the first half.

Well defined performances of Monteverdi madrigals are sung with I Fagiolini’s customary ease and involvement. 

I Fagiolini and the English Cornett and Sackbut Ensemble give a very special performance at Kings Place. 

The Scottish Ensemble is joined by I Fagiolini in a Winter Chorale linking ancient and modern music for Advent and Christmas. 

I Fagiolini's very interesting programme of music by Monteverdi and his contemporaries pulls together a wide range of works, but somehow lacks an ensemble feel. 

Robert Hollingworth and I Fagiolini provide a whistle-stop tour of Monteverdi's different styles, from madrigals to opera, dance and sacred music, with a newly commissioned contrast from former member Roderick Williams.

There is something haunting in waiting till ten o’clock at night in the cemetery of one of London’s oldest churches. Even when surrounded by other audience members, this is not a place one would normally seek out on a nice summer’s evening.

I Fagiolini is a vocal group I have been trying to see live for quite a while now, so I was extremely excited to be attending the London offering of Insalata I Fagiolini at Cadogan Hall.

December in London doesn’t just mean wall-to-wall carol singing and the Messiah. It also means Spitalfields Music Winter Festival, which can be relied upon to programme something novel for the festive season while still not skimping on the mince pies.

The scene is 1612 in Venice: a great battle has been won against the dreaded Ottoman Empire, and in celebration, evening prayers are ordered to be set to music specially composed by the great Giovanni Gabrieli, Claudio Monteverdi and others.