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Aa fitting tribute to the 20th anniversary of State Opera of South Australia’s ongoing romance with the music of Richard Wagner.

Handa Opera on Sydney Harbour returns with La bohème, in a fine production by Andy Morton, with star turns from Iulia Maria Dan and Ho-Yoon Chung in the lead roles.

This vibrant Tosca came together beautifully, melding the rich rawness of the evil Scarpia, the emerging maturity of the passionate Tosca and the poetic artistry of the victimised Cavaradossi.

Singapore Lyric Opera’s new production of The Merry Widow, set in 1920s Paris, is weighed down by uninspired directorship. 

I’ve never been to a sing-along Sound of Music, but apparently audience etiquette requires pantomime booing of the Nazis. More than a few attendees at the opening night of Opera Australia’s new production of Tosca responded in a similar fashion at the curtain call, and it had nothing to do with a generally excellent performance. For yes, there were Nazis.