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One of Puccini's less renowned works returns to the Teatro San Carlo after over thirty years away.

In this staging of Verdi’s  masterpiece, the director reminds us that the ominous epilogue springs from its short prelude.

Juxtaposing Granados’ sensuality with the miserable story of Suor Angelica functioned by contrast, as they do not have anything in common.

It took a whole act to warm up the audience, but at the end, San Carlo's production of Lehár’s frothy operetta proved convincing

This production of Puccini’s masterpiece was delivered on a monochromatic set, with  a director-centred staging of the story of love and despair of Cio-Cio San.