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Visiting conductor Matthew Halls in a programme of Haydn, MacMillan and Beethoven.

Callum Smart, playing Bruch’s Violin Concerto no. 1 in G minor, and conductor Matthew Halls made very successful debuts with the Royal Philharmonic Orchestra at a packed Cheltenham Town Hall.

A riveting account of Handel's Samson in Dublin, with Katherine Watson, James Gilchrist and Madeleine Shaw shining as soloists. 

A scaled-down Adelaide Symphony Orchestra combine with the talented Adelaide Chamber Singers and visiting soloists, under the baton of Baroque specialist Matthew Halls to present a stunning performance of Handel’s Messiah.

Handel’s Messiah is a challenge to any conductor, particularly in the English-speaking world. It’s probably the best-loved piece in the classical repertoire, guaranteed to bring people out in great crowds. You can’t mess with Messiah, but at the same time, there’s a danger of sinking into tired tradition.

For lovers of choral music, a Bach Passion or Handel’s Messiah are as much part of Easter as chocolate eggs, and this year’s musical treat at the Sage Gateshead was Bach’s St John Passion, played by Northern Sinfonia with debut guest conductor Matthew Hall.

Après une lecture un peu univoque du Concerto pour clarinette par Raphaël Sévère, Marie-Ange Nguci se révèle une mozartienne accomplie au côté du bel Orchestre de chambre de Paris.