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In a sensational Hungarian double bill of taut psychological drama at Müpa, Péter Eötvös' Senza sangue proves a thrilling partner to Bartok’s Bluebeard’s Castle.

The world of opera can sometimes be hard for the newcomer to love as there are often fiendishly complicated and frequently unbelievable plots to get to grips with. Jules Massenet’s opera Werther is happily none of these: it is a straightforward story of unrequited love.

El compositor Peter Eötvös se pone al frente de la Orquestra Sinfónica do Porto Casa da Música para dirigir su ópera Senza sangue muy bien complementada con El castillo de Barbazul.