The “Bach B minor” is a classic amongst choral singers, but although parts of it are so familiar and the name is often tossed around casually, upon hearing it you are reminded why it has the status it does. Bach never heard the mass in its entirety and the movements were written years apart, explaining why there is such a huge range of style; this means we are spoilt as an audience.
We trudged through the snow to Kings Place, full of anticipation for an evening of beautiful music and festive cheer. The Barts Chamber Choir, conducted by Ivor Setterfield provided this, with a wonderful program from traditional audience carols to lesser known pieces by Berlioz, Howells and Vaughan Williams.