Is Handel’s Semele an oratorio or an opera? Of course Handel himself called it an oratorio but some suggest it is the English-language opera that he never wrote.
A beautiful and much-put-upon princess, a pair of royal lovers who have never met, a scheming mother, and a pirate who is a prince in disguise: Ottone is a feast of ideas, beauty and fun.
Ludus Baroque, with its handpicked performers, brought the tale of Athalia to spectacular life - the destiny of a bloodstained Queen or the King across the water? You decide!
Scottish Opera made a wise choice in selecting Handel’s concise court drama to tour widely across Scotland this autumn. This is the ideal showcase for its Emerging Artist singers and also the new faces in the production team.
Many composers would be delighted to be sharing the bill with Pergolesi, particularly if the ratio of programmed pieces were 2:1 in their favour. Judith Bingham combined composing and singing careers for many years, but she now concentrates solely on composing. However, she does – as she confessed in a YouTube interview – compose unconsciously in “breath lengths”.
The “Bach B minor” is a classic amongst choral singers, but although parts of it are so familiar and the name is often tossed around casually, upon hearing it you are reminded why it has the status it does. Bach never heard the mass in its entirety and the movements were written years apart, explaining why there is such a huge range of style; this means we are spoilt as an audience.
Since its first performance in 1742, Handel's Messiah has become one of the world's most popular and widely performed oratorios. With a biblical libretto which tells the story of Jesus from the Nativity to the Ascension, and stunning, joyous choral parts that lend themselves equally well to small and large choirs, the Messiah has become a festive must-hear.
