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Gianni Amelio's traditionalist staging pleased the audience, and Nadine Sierra brought vocal grace and a flawless technique to the title role.

Jean-Paul Scarpitta’s San Carlo staging was almost as minimal as a biblical oratorio.

This production at the San Carlo was an excellent, emotional Lucia di Lammermoor, welcomed with empathy by the audience, like an old companion. 

Good overall singing, but the Steinberg's conducting was completely subordinate to the stage directions.