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Highs and lows within a glamorous mixed bag of choreography are inevitable when people are travelling from around the world.

Beautiful neoclassical and Baroque dance describes a future full of hope that really hits the spot.

A complete roster of principal dancers appear in a gala full of the joys of spring. 

Dutch National Ballet presents six Hans van Manen creations spanning 40 years of choreography. 

Dutch National Ballet continues its series honouring the great choreographer. 

Anna Tsygankova is clearly enjoying her part in Forsythe's Pas/Parts 2018, an exposé of the vocabulary of modern ballet.

It’s the end of the 17/18 season for most ballet companies and for many, this means rounding off with a glitzy gala night. I feel these performances always go in one of two directions: they’re either a Greatest Hits or a bit of a patchwork quilt. 

Swan Lake in-the-round was conceived in 1997 by Derek Deane, former director of English National Ballet, and has been seen by over half a million people.

Ted Brandsens Choreographie geht dank der Entmystifizierung dieser tragischen Galionsfigur unter die Haut.

Der Abend verdeutlicht, was Hans van Manen auszeichnet: ungeheure Musikalität und Konzentration auf das Wesentliche.