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A dizzying premise from Martina Eisenreich and Axel Ranisch, loosely drawing on Johann Strauss II’s unfinished ballet Aschenbrödel, which tries to be everything, all at once. 

Movement was so effectively utilised in this production, with elements of ballet, modern and Scottish folk melded in true Agnes de Mille fashion.

Benatzkys Operette in einer genialen Neufassung von Peter Lund und Kai Tietje begeistert in jeder Hinsicht.