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An enjoyable and vivid performance representing music spanning three centuries of history

Still only in its second year, the London Piano Festival has already established itself as a major player in the capital’s music scene.

A remarkable evening of exceptionally fine pianism and inventive programming, featuring seven of the UK's leading pianists in rich and varied repertoire.

Another lazy Sunday morning means another quality chamber concert for the Wigmore Hall cognoscenti. This week, their complimentary sherry was served with a cocktail of violin and piano duets, mixing the contrasting flavours of Pärt, Schubert and Richard Strauss, courtesy of child-prodigy-turned-twentysomething virtuoso Chloë Hanslip and established pianist Charles Owen.

Pianists Charles Owen and Katya Apekisheva presented a lively recital programme in what might be better described as ‘an orchestral concert for two pianos’; such was the range of sounds the two were able to conjure from their instruments.Milhaud’s Scaramouche Suite was a frothy, joyful opener, as one might expect from a member of ‘Les Six’ in a work based on theatrical music.

De Beethoven à Ravel avec un écart vers Perkinson, le violoniste et le pianiste ont proposé un récital varié et toujours maîtrisé.