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Cecilia Stinton’s new production of Lucia di Lammermoor doesn't necessarily make best use of OHP’s performance space, but the singers excel. 

Julia Burbach's new production lacks poetry in spite of an admirable cast led by Samuel Dale Johnson in the title role. 

La bohème may not seem the obvious choice for a very small theatre, but HGO carry it off with aplomb, with the help of Rodolfo sung by a star in the making.

Students triumph in Tchaikovsky's Iolanta and Ravel's L'Enfant et les sortilèges.

Royal Academy Opera maintains its usual high standards in a production of Handel’s operatic oratorio, a showcase for the singers of the future.

À la Royal Academy of Music, Semele de Händel offre une expérience jubilatoire et rafraîchissante. Mise en scène ingénieuse et jeunes chanteurs talentueux sont au menu de cette production.