In a program with Chabrier’s España and Falla’s The Three-Cornered Hat, the Houston Symphony ambitiously unearthed Mario Castelnuovo-Tedesco’s Cello Concerto, last heard at its premiere with the New York Philharmonic in 1935.
2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2017-04-14UTC18:37:24+00:002017-04-14In a program with Chabrier’s España and Falla’s The Three-Cornered Hat, the Houston Symphony ambitiously unearthed Mario Castelnuovo-Tedesco’s Cello Concerto, last heard at its premiere with the New York Philharmonic in 1935.Underwhelming Lost Cello Concerto at Houston Symphonyen_GBtruehttps://bachtrack.com/review-houston-symphony-castelnuovo-tedesco-cello-symphony-april-2017Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/22/270/list-published/16545https://bachtrack.com/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.https://bachtrack.com/files/58028-brinton-averil-smith.jpg280420Brinton Averil Smith2017-Apr-13, Jones Hall: Falla & EspaƱahttps://bachtrack.com/concert-listing/jones-hall/falla-espana/13-april-2017/20-002017-04-132017-04-15Jones HallHoustonTexasUnited StatesTX 7700229.7604284044929-95.3699219226837https://www.houstonsymphony.org/tickets/production/detail?utm_medium=display&utm_source=bachtrack.com&id=7346https://bachtrack.com/files/41044-houssymph-logo.jpg2
More than today’s expert on Brahms, Ax promotes a revolutionary approach to the soloist persona: the soloist who is a chamber musician first and a diva second.
2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.png2015-10-19UTC09:23:53+00:002015-10-17More than today’s expert on Brahms, Ax promotes a revolutionary approach to the soloist persona: the soloist who is a chamber musician first and a diva second. Redefining the Solo: Ax plays Brahmsen_GBtruehttps://bachtrack.com/review-brahms-ives-ax-houston-symphony-october-2015Bachtrack Ltdhttps://bachtrack.com/themes/bachtrack2013/mastheadlogo.pngSydney Boydhttps://bachtrack.com/22/270/list-published/16545https://bachtrack.com/22/270/list-published/16545https://bachtrack.com/files/261-sydney_boyd.jpgSydney Boyd is an arts writer, scholar, and violinist. She has been a music critic in Houston since 2012 and is the blog author of Girl at the Opera. She studies intersections of 20th century literature and music in the English PhD program at Rice University and performs regularly with both classical and contemporary ensembles across the United States.https://bachtrack.com/files/29608-emanuel_ax_marie_mazzucco_sony.jpg275413Emanuel AxMarie Mazzucco | Sony2015-Oct-16, Jones Hall: Emanuel Ax Plays Brahmshttps://bachtrack.com/concert-listing/jones-hall/emanuel-ax-plays-brahms/16-october-2015/20-002015-10-162015-10-18Jones HallHoustonTexasUnited StatesTX 7700229.7604284044929-95.36992192268373