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Les Ballets de Monte-Carlo presents three equally riveting ballets in a triple bill of abstract works from Christopher Wheeldon, Sharon Eyal/Gai Behar and Jean-Christophe Maillot.

This is a contrasting double bill – but don’t go expecting to leave the theatre humming the tunes.

Ballett am Rhein offered three pieces with no narrative, but this triple bill has broad appeal across the full spectrum of ballet and dance.

Let's not split hairs: Alexander Ekman's Lib and Sharon Eyal's Strong flooded the opera with the Berlin young-and-hip art scene.

Les Ballets de Monte-Carlo sont enfin de retour à Paris avec un programme contrasté : le fascinant Autodance de Sharon Eyal puis le ballet historique Vers un pays sage de Jean-Christophe Maillot.

Sharon Eyal und Gai Behars Choreographie erzählt von (Liebes)Glück und Einsamkeit.