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London City Ballet make a big impression with a program of contrasting ballets. One hopes they might expand into a bigger company, but for now, this is a small chamber company worth following.

London City Ballet move into a new venue with absolute confidence and gravitas in a quadruple bill that says everything about their future and success.

While most in the audience at New York's Joyce Theater might not have known the original London City Ballet, their affection was palpable at the close of this program. 

London City Ballet return in a new incarnation at Sadler's Wells, promising a great future.

Director Oliver Mears turns Scottish Opera’s Eugene Onegin into a memory play, with fine singing from a strong cast starring Natalya Romaniw as a thrilling Tatyana.  

Scottish Opera's imaginative Orfeo ed Euridice is a well sung wild visial feast with added dancing thrown into the mix by Ashley Page. 

From the moment the curtain went up, there was no doubt that San Francisco Ballet had another evening of fabulous ballet in store for the audience at Sadler’s Wells, many of whom had been there the night before for Programme A.