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Ballet Hispánico sizzle in a wonderfully witty and modernistic production of Carmen.maquia at the Leicester Curve.

Five of the best-known dance companies based in New York City have united for a weeklong program every summer since COVID. This year they shared a stage but stuck to their own rep.  

It's got a lot of appeal, with a diverse range of choreography, and offering audiences the chance to see excellent dancing and even some partnerships forming from different companies.

New York City Center’s annual Fall for Dance festival heads online in a pair of programs, one much stronger than the other. 

Ballet Hispánico at the Apollo makes a powerful cultural statement about the vitality of the Latin-American community in New York City.

Ballet Hispanico's CARMEN.maquia, presented for a one night engagement at Harlem's Apollo Theater, was marred by some lackluster casting choices that failed to capitalize on the story's essential drama.

Art is often used to tell a story, and an image or a score can transport its audience to another time and place. At the Joyce, Ballet Hispanico tells the story of Latino dance and its roots across continents and oceans.Program A opens with Nube Blanco (White Cloud), Annabelle Lopez Ochoa’s choreography to music by María Dolores Pradera.